The editor-in-chief and co-founder of Hyperallergic, Hrag Vartanian is an editor, art critic, curator, and lecturer on contemporary art with an expertise on the intersection of art and politics.

Breaking news, award-winning reporting, informed opinions, and quality conversations about art have helped Hyperallergic reach over a million readers a month.

Some of his notable essays from the past few years include “Imagining the Future Before Us: Forward to Sharon Louden’s The Artist as Culture Producer” (Walker Blog, March 17, 2017), “Adrian Paci Shows Us How We Mourn the Death of Dictators” (Hyperallergic, October 12, 2017), and “The Elusive Index of Relationships Between Everyone” (Hyperallergic, June 15, 2018).

He started podcasting regularly in 2016, and this year he launched Art Movements, which is a weekly audio magazine. Notable past episodes have wondered why the female painters of Abstract Expressionism are still being overlooked, he’s also traveled to North Dakota to record a three-part series (1, 2, 3) from the Dakota Access Pipeline protests at Standing Rock, and he composed a long-form essay about the life and art of David Wojnarowicz that talks to his friends, biographer, and current ACT UP members.

He has curated exhibitions and published in alternative venues and formats for two decades, and in 2017, he began a 10-year project titled Fixed Point Perspective, which will look at the contemporary legacy of Ottoman studio photography.

In April 2018, he created a collaborative installation with artist Sharon Louden at the Mary Sharpe and Walentas Studio Program in Brooklyn, NY. Titled Origins, it explored the five-year professional and personal friendship between the pair as a starting point for a bigger conversation about beginnings and ends. The video from the installation is also available on his YouTube channel.

He also tweets a lot.